An intermediate lesson on combining scales when soloing, it combines basic pentatonic licks, some bends, and some fast runs with alternate picking.

Fifth and last lesson in the series, where we will cover positions 5 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, and it will create a more interesting vibe in your playing when alternating these two patterns/feels.

Third lesson in the series, where we will cover positions 3 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, will create a more interesting vibe in your playing when alternating these two patterns/feels.

Sometimes, being the only guitar player in a band can be tricky. This lesson should give you a few ideas on how to approach that situation by tastefully combining your rhythm and lead chops in a natural way.

Illustrates how you could use the modes in a musical way.

Classical music inspired combination of arpeggios and scales.

In this lesson we are going to work on connecting different scale positions, so you can learn how to use it efficiently while improvising.

In this solo I use the major and minor pentatonic to obtain a solo in the style of rock/blues. The idea of this work is getting a good control of both pentatonic scales at every moment.

The different boxes of the 7th arpeggio.